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Trailhead’s Bodies In The Basement is, in a word, beautiful. The melodies are fresh but familiar, the lyrics are carefully constructed, and the production is wonderfully woven. While Trailhead exhibits many influences on Bodies, I find Tobias’s style and delivery mostly reminiscent of George Harrison. Oh, and maybe mix in a little of the pop sensibility of Glen Phillips. It’s really good modern Americana.
(Americana Music Times / Bodies In The Basement)
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An almost familial intimacy with the audience ... Trailhead makes use of the American folk’s veriations, occasionally giving way to echoes of Spanish guitar, but finally ever returning to the dusty dry style of Americana.
(Wiesbadener Tageblatt)
Brightly and yet intimately he applies his voice .. its damn good music .. My favourite tunes are ‘Emmanuelle Beart’ and ‘Ride’ both of which are overflowing with charm as well as the

standard structural excellence. It’s a pleasure.
(Americana UK – / Bodies In The Basement)

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The listeners completely succumbed to the fascination of his voice. Unique in its warmth and memorability.
(Nachrichten Sonthofen)
An astonishing piece of work, concerning the mature songwriting, as well as the bright sound ... 13 songs bristling with harmonies and intimacy ... the images carries you to the US, to Bob Dylan or the alternative Country-scene around The Jayhawks. The multi voice harmonies often remind one of the Grateful Dead. Everything on this record has a ring of wide spaces and open sky.
(Berlin Tagesspiegel /
The Road To Salamanca)
Trailhead set out, with an air of lofty restlessness, self reflection and roadside philosophy, to set his music apart from the mass of stereotypical folk music.
(Uniradio Magdeburg)
Americana through and through.
A wonderful record.
(Folker Magazin / The Road To Salamanca)
One gets the impression, that he’s still „on the road“. Gentle finger picking gives way to powerful chord changes; Cheerful melancholy teams up with dynamic restlessness. ..roadmovie-songs (Kieler Nachrichten)
With captivating harmony vocals and fine melodies the 14 songs relate to today’s americana-bands like Wilco and at the same time harken back to the classics, like Crosby, Stills & Nash, Simon & Garfunkel, Paul McCartney and Donovan. Convincing debut.
(Tip Stadtmagazin Berlin / The Road To Salamanca)
His music is open, sensitive, believable, and never reduced to recycled phrases. Folk-rock, country, americana, simply good roots music, warm as the sun on your neck, powerful as the train you jump to watch the world pass you by.
(Country & Western Friends Kötz)
A heartfelt americana-roots-album abound with verve, musical surprises and contrasting arrangements, taking the listener to Scandinavian autumn scenery, as well as to Death Valley.
(Melodie & Rhythmus / The Road To Salamanca)

 "The Road To Salamanca" paints images of landscapes, encounters and desire. The melodies are grand in their simplicity, the warm vocal performance soaring with harmonies. Everything is arranged harmoniously, catchy, yet  beautifully simple.
(Lichter Magazin / The Road To Salamanca)

You almost feel the dust on your skin, listening to Panwitz’ virtuosic guitar playing and melancholic voice.  (Folkworld / The Road To Salamanca)


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